ShopDreamUp AI ArtDreamUp
Deviation Actions
tonight is a hard night. how do you deal with hardships? apparently watching sonny chiba movies and writing dumb things like this is how I do it.
how do you hate someone you once wanted to swear your life to?
how do you stay in a one-sided love despite all the bad it does?
when you doubt your life, your dreams, your hopes, your future, and all you thought was true
where do you find peace? I ask because
this is what I do
I take the ore of my emotion
crush it with my hands
grind every stupid notion
into nothing more than sand
dust for thought
for I must not
give in to its demands
it's the classic struggle of id and ego
I'm buried somewhere beneath
crushing those feelings, grinding my teeth
sometimes I don't know
what I'm trying to achieve
it's always a bare-fist fight
just to believe
to make it through the night
how do you make sense of the past when it has been reduced to ash
when everything connected to it is as painful as being put to lash
I have a master, governing my being
like blindness, keeping me from seeing
I have to survive whether I want to or not
I need to stay alive, with everything I've got
for those who depend on me, who would fall apart in agony
those few who would celebrate
out of spite and addictive hate
even now, alone, when this torment seems to have doubled
I must tell myself it's not better to be dead, but to be alive and troubled.
how do you hate someone you once wanted to swear your life to?
how do you stay in a one-sided love despite all the bad it does?
when you doubt your life, your dreams, your hopes, your future, and all you thought was true
where do you find peace? I ask because
this is what I do
I take the ore of my emotion
crush it with my hands
grind every stupid notion
into nothing more than sand
dust for thought
for I must not
give in to its demands
it's the classic struggle of id and ego
I'm buried somewhere beneath
crushing those feelings, grinding my teeth
sometimes I don't know
what I'm trying to achieve
it's always a bare-fist fight
just to believe
to make it through the night
how do you make sense of the past when it has been reduced to ash
when everything connected to it is as painful as being put to lash
I have a master, governing my being
like blindness, keeping me from seeing
I have to survive whether I want to or not
I need to stay alive, with everything I've got
for those who depend on me, who would fall apart in agony
those few who would celebrate
out of spite and addictive hate
even now, alone, when this torment seems to have doubled
I must tell myself it's not better to be dead, but to be alive and troubled.
what is this a livejournal?
i've been thinking about why i write, well, why i share everything i write online and in a larger sense why it's poetry and not just a blog or a diary it's not something i ever had a satisfying answer for until now because i couldn't stop to be introspective long enough and explore my motives or myself. i had too many other people's interests and agendas to serve. basically, briefly, it's just because there's no risk to writing something no one else can see. what's interesting about me? what's so interesting that, if i write it in a little black notebook and leave it on the floor, my private thoughts, it means anything but litter? i could fill up notebooks, fill up trashcans of notebooks this way and still not really express myself or say anything impactful. i found satisfaction comes from poetry because of the ambiguity and the stretching. the stretching meaning, metaphors and such. i can write you a poem or a story or whathaveyou about anything, and it's not about the aesthetic
incomplete
representatives apropos of nothing, X Boulevard meets King Jr Drive not that it matters where they stand, but at the corner these two debate which path to take ambiguous to the fact they are going forward ignorant and independent free of harm to tongue wag, what they think or say, it'll never matter they lack the foresight to understand they're speculating on more than a few blocks because they're not from there and can't empathize for a second, those stupid crackers. no, i want it to go more like this: beneath the street signs, on the corner of X Blvd and King Jr Dr what does your insightful sociopolitical debate matter? what meaningful data can you two ignoramuses possibly gather? which way to go, you can't know, you don't represent these issues; you're just two white savior crackers.
stupid thing
i'm going to reach out from this pond and grab narcissus by the throat drag his pretty ass through the looking glass and shove these mushrooms so he shrinks grows, explodes and feels small whiplash- blah can't write whatever the hell i'm tryna write.
A Sketch of an Outline to an Outline of a WIP
The Little Black Book of Impossible Murders I have a fantasy. Open on this: a lanky young man lives in a run down building in San Francisco in the mid or late 80’s. The exact time isn’t important, the exact economic state of the building and locale isn’t where the fixations lies, either. I hone in on him. His life and experiences, the people he deals with and how everything affects him. Everything. He lives in squalor. The walls are brown, stained with yellow streaks like ribbons of piss peeling the plaster off the inside of the room and with a matching old smell. The ceiling is water damaged from the salty air, there are rats and roaches, I don’t know if this is accurate to the climate and ecosystem of San Francisco, but it’s important to the setting that it takes place there for other reasons. It’s loosely important. This fantasy is an outline for the second part of three stories; the first one is about two thirds of the way finished. Why this man, why San Francisco? 1984, I just
© 2016 - 2024 Evilhappy
Comments0
Join the community to add your comment. Already a deviant? Log In